- Published on
Tonight
I had dinner with a dear friend
We had delicious pasta
And banoffee pie
And several beverages
It was marvelous
He lives in the south of London
I live in the north
It took me a while to get home
By the time I got to Green Park
And changed from the Victoria Line
To the Jubilee Line
I was busting for the loo
I'm only human
I knew there were toilets at the station
Up two escalators
Down the long corridor
And out of the ticket gates
The toilets were shut
The station staff did not have keys
Or sympathy
They said I must use
The pay toilets
I detest pay toilets
On principle
Charging humans
To pee and poop
Is a failing of mankind
I knew there was a hotel above the station
The entrance
A full block away
The Ritz
Is very fancy
To spend just one night there
Would cost me
Literally two weeks rent
The porters
Late at night
Are thankfully very lovely
"Excuse me, I need to use your restrooms"
"Is it an emergency?"
"It will be."
"This way madam".
And that is how I came
To use the facilities
In one of the fanciest
Most lovely loos
I have ever used in all my twenty-eight years of existence
The end.
I had dinner with a dear friend
We had delicious pasta
And banoffee pie
And several beverages
It was marvelous
He lives in the south of London
I live in the north
It took me a while to get home
By the time I got to Green Park
And changed from the Victoria Line
To the Jubilee Line
I was busting for the loo
I'm only human
I knew there were toilets at the station
Up two escalators
Down the long corridor
And out of the ticket gates
The toilets were shut
The station staff did not have keys
Or sympathy
They said I must use
The pay toilets
I detest pay toilets
On principle
Charging humans
To pee and poop
Is a failing of mankind
I knew there was a hotel above the station
The entrance
A full block away
The Ritz
Is very fancy
To spend just one night there
Would cost me
Literally two weeks rent
The porters
Late at night
Are thankfully very lovely
"Excuse me, I need to use your restrooms"
"Is it an emergency?"
"It will be."
"This way madam".
And that is how I came
To use the facilities
In one of the fanciest
Most lovely loos
I have ever used in all my twenty-eight years of existence
The end.
- Published on
My achievement today
Was getting out of bed
And going to work
And despite feeling like
Crap on wheels
Having a really good day
The end.
Was getting out of bed
And going to work
And despite feeling like
Crap on wheels
Having a really good day
The end.
- Published on
I didn't allow myself to get excited
Her reputation
Precedes her
Canceling, forgetting lyrics, swallowing words
But tonight
In her signature sparkling black top
That shimmered and reflected light
And almost seemed to be electricfied
Liza Minnelli
Was radiant
Her speaking voice
Is not just breathy
It's breathless
She seems barely able to string a sentence together
And then she sings
Sure the top notes aren't quite there anymore
But the richness in her voice
The undeniable "Liza" tone
The timbre so full
So present
It's phenomenal
They talk of
Living legends
And truly
She is one
In just under two weeks
This living legend will be 67
She's frailer than she used to be
Apologized for sitting for much of the concert
But the audience didn't mind
When she sang, honestly
Magic happened
She seemed somehow younger
The way she can tell a story through song
Transport you worlds away
With her voice
The simplest gesture
The audience erupted after
Every single number
And the applause wasn't gratuitous
In the same way that her mother
Never escaped the rainbow
Liza will never escape the cabaret
But you get the sense
She's happiest there
It's where she grew up
It's where her family,
Literal and accumulated,
Come from
And her gratitude to the audience
Felt genuine and real
The final encore
Every single person was already on their feet
And it was just
Liza in a spotlight
Singing acapella
The hush that fell over the crowd
Oh, that voice!
And right before the final note
A whispered
Thank you
And the audience melted
Audibly gasped
And we cheered in response
And Liza bowed
And walked into the wings
The end.
Her reputation
Precedes her
Canceling, forgetting lyrics, swallowing words
But tonight
In her signature sparkling black top
That shimmered and reflected light
And almost seemed to be electricfied
Liza Minnelli
Was radiant
Her speaking voice
Is not just breathy
It's breathless
She seems barely able to string a sentence together
And then she sings
Sure the top notes aren't quite there anymore
But the richness in her voice
The undeniable "Liza" tone
The timbre so full
So present
It's phenomenal
They talk of
Living legends
And truly
She is one
In just under two weeks
This living legend will be 67
She's frailer than she used to be
Apologized for sitting for much of the concert
But the audience didn't mind
When she sang, honestly
Magic happened
She seemed somehow younger
The way she can tell a story through song
Transport you worlds away
With her voice
The simplest gesture
The audience erupted after
Every single number
And the applause wasn't gratuitous
In the same way that her mother
Never escaped the rainbow
Liza will never escape the cabaret
But you get the sense
She's happiest there
It's where she grew up
It's where her family,
Literal and accumulated,
Come from
And her gratitude to the audience
Felt genuine and real
The final encore
Every single person was already on their feet
And it was just
Liza in a spotlight
Singing acapella
The hush that fell over the crowd
Oh, that voice!
And right before the final note
A whispered
Thank you
And the audience melted
Audibly gasped
And we cheered in response
And Liza bowed
And walked into the wings
The end.
- Published on
I decided
To quit facebook
(Again)
Because I want
More real connections
I want to feel validated in real life
And not by status updates
And number of likes
Because despite over 1200 "friends"
Out there in cyberland
I feel incredibly disconnected
I organize events
And invite people
And most don't even bother to reply
One or two may come along
And the connection with them is wonderful
But all too often
I feel so alone
And perhaps it's just London
Perhaps it's just me
Perhaps it's depression
Keeping me at bay
So by quitting
And disconnecting
I'm actually hoping to connect more
And see friends more often
And for all the dear folk I know
Over oceans and continents far away
There's still email and skype and viber and what's app and tango
I'm not going anywhere
I just want it to be more real
The end.
To quit facebook
(Again)
Because I want
More real connections
I want to feel validated in real life
And not by status updates
And number of likes
Because despite over 1200 "friends"
Out there in cyberland
I feel incredibly disconnected
I organize events
And invite people
And most don't even bother to reply
One or two may come along
And the connection with them is wonderful
But all too often
I feel so alone
And perhaps it's just London
Perhaps it's just me
Perhaps it's depression
Keeping me at bay
So by quitting
And disconnecting
I'm actually hoping to connect more
And see friends more often
And for all the dear folk I know
Over oceans and continents far away
There's still email and skype and viber and what's app and tango
I'm not going anywhere
I just want it to be more real
The end.
- Published on
This is a true story
It happened to me
In real life
My friend
A university educated person
Whose parents are both doctors
Told me
Women cannot be astronauts
Because they get their period
This. Is. Simply. Not. True.
In June 1963
Valentina Tereshkova
Became the first female
To launch into space
A little earlier
In 1961
Thirteen women
Known as the Mercury 13
Underwent
The same training and tests
As the men who would later become
The first American astronauts
And they passed
And then
Not because they were physically unable
Or intellectually inferior
But because of
Institutional bias against women
For being women
The Mercury 13
Were dismissed
In all
Fifty-six
Women have fought
And trained
And gone into space
Two of them have
Commanded the spaceships
And what about their periods?
One astronaut is quoted as saying
"Period in space, just like period on the ground
Don't worry about it."
Women do go into space
And while they make up just 10% of the people
To hurtle past the atmosphere
The point is
Women can be, and are, astronauts
The only thing keeping on the ground
Is prejudice and ignorance
The end.
It happened to me
In real life
My friend
A university educated person
Whose parents are both doctors
Told me
Women cannot be astronauts
Because they get their period
This. Is. Simply. Not. True.
In June 1963
Valentina Tereshkova
Became the first female
To launch into space
A little earlier
In 1961
Thirteen women
Known as the Mercury 13
Underwent
The same training and tests
As the men who would later become
The first American astronauts
And they passed
And then
Not because they were physically unable
Or intellectually inferior
But because of
Institutional bias against women
For being women
The Mercury 13
Were dismissed
In all
Fifty-six
Women have fought
And trained
And gone into space
Two of them have
Commanded the spaceships
And what about their periods?
One astronaut is quoted as saying
"Period in space, just like period on the ground
Don't worry about it."
Women do go into space
And while they make up just 10% of the people
To hurtle past the atmosphere
The point is
Women can be, and are, astronauts
The only thing keeping on the ground
Is prejudice and ignorance
The end.
- Published on
I have been in a terrible funk
Feeling tired
And lonely
And miserable
And Mum came to the rescue
Gave me a bit of extra money
So I could treat myself
I take myself to Brighton
It's only an hour and a bit away from London by train
I had heard it was pretty
And had a hippy vibe
I disembark from the train
No map
No agenda
Just a day of being
On the way to the waterfront
I wander into St Paul's Church
You enter through the long cloisters
Inside the church
A man is having a heated conversation
With the air
Or the spirits around him
He emphasizes each point with a flick of his hand
Mass is starting in ten minutes
I wonder if they'll let him stay
I walk into a large room beside the chapel
There is a massive fireplace
Guarded by two stone dragons
There is a rich red carpet
The walls are lined with books
There are two comfy looking chairs
A warden comes in and tells me I am in the vestry
And visitors are not allowed
I apologize, I hadn't realized
But I'm glad I got to see the room
Once I'm back in the foyer
The warden closes the door
Private
I arrive at the waterfront
The beach is covered in pebbles
The water has a lovely light blue tinge
I don't know why, but I had expected it to be brown
It is so lovely to see the ocean again
On the beach a small group of tourists is skimming stones
They remind me of my love and skimming stones along the river in the summer
My heart aches for him
There is an art shop right on the beach
They are selling prints
And cards
And beautiful books
The food shops along the beachfront
Are all closed
It is winter
It is not the season
There is a tiny fishing museum that is open
It takes five minutes to walk through
It feels like a relic
All shells and fishnets and crabs behind glass
Turning to dust
A looped video sings sea chanties
I walk
With no real destination
And stumble upon the
Royal Pavilion
It is like a palace
The gardens around it
Are beautiful
Spring flowers are starting to make an appearance
Though the trees are bare
And the grass is mostly gone
I buy a hot chocolate
And wander around to the museum
It is closed on Mondays
I don't mind
I walk up to the Lanes
Winding tiny streets filled with shops
Though no longer the original buildings
The area "gives a flavour of medieval Brighton"
A shopkeeper tells me
The council wants to push out the independents
And bring in the High St tenants
More money that way
Of course the stain of commercialism is evident everywhere
Even by the water
The giant concrete monstrosity
That is the Odeon and entertainment complex
How they allowed it!
It's a shame
The very reason people go there
Being eaten away
Speaking of eating
I have lunch in a small cafe
Everything is handmade and fresh
Sweet potato soup and an apple, carrot, and ginger juice
The soup, juice, and cafe are all bright orange
It reminds me of the book Misery Guts
The protagonist is an English boy
Who is sick of his parents being miserable
So he paints their fish and shop bright orange
From memory they move to Australia
The land of sunshine and happiness
Did you know that in Australia it is estimated more people
Die by suicide that road related deaths
I walk and walk and walk
I window shop
I wander in and out of stores
And chat to shop keepers
I imagine I am wealthy
And pick all the artworks I would buy
And where they would go in my dream house
I end the day back at the beachfront
I walk a little way down the pier
It is tacky and touristy
I prefer the pebbles
The sky has been grey all day
And it is cold
But it has been the loveliest day
The end.
Feeling tired
And lonely
And miserable
And Mum came to the rescue
Gave me a bit of extra money
So I could treat myself
I take myself to Brighton
It's only an hour and a bit away from London by train
I had heard it was pretty
And had a hippy vibe
I disembark from the train
No map
No agenda
Just a day of being
On the way to the waterfront
I wander into St Paul's Church
You enter through the long cloisters
Inside the church
A man is having a heated conversation
With the air
Or the spirits around him
He emphasizes each point with a flick of his hand
Mass is starting in ten minutes
I wonder if they'll let him stay
I walk into a large room beside the chapel
There is a massive fireplace
Guarded by two stone dragons
There is a rich red carpet
The walls are lined with books
There are two comfy looking chairs
A warden comes in and tells me I am in the vestry
And visitors are not allowed
I apologize, I hadn't realized
But I'm glad I got to see the room
Once I'm back in the foyer
The warden closes the door
Private
I arrive at the waterfront
The beach is covered in pebbles
The water has a lovely light blue tinge
I don't know why, but I had expected it to be brown
It is so lovely to see the ocean again
On the beach a small group of tourists is skimming stones
They remind me of my love and skimming stones along the river in the summer
My heart aches for him
There is an art shop right on the beach
They are selling prints
And cards
And beautiful books
The food shops along the beachfront
Are all closed
It is winter
It is not the season
There is a tiny fishing museum that is open
It takes five minutes to walk through
It feels like a relic
All shells and fishnets and crabs behind glass
Turning to dust
A looped video sings sea chanties
I walk
With no real destination
And stumble upon the
Royal Pavilion
It is like a palace
The gardens around it
Are beautiful
Spring flowers are starting to make an appearance
Though the trees are bare
And the grass is mostly gone
I buy a hot chocolate
And wander around to the museum
It is closed on Mondays
I don't mind
I walk up to the Lanes
Winding tiny streets filled with shops
Though no longer the original buildings
The area "gives a flavour of medieval Brighton"
A shopkeeper tells me
The council wants to push out the independents
And bring in the High St tenants
More money that way
Of course the stain of commercialism is evident everywhere
Even by the water
The giant concrete monstrosity
That is the Odeon and entertainment complex
How they allowed it!
It's a shame
The very reason people go there
Being eaten away
Speaking of eating
I have lunch in a small cafe
Everything is handmade and fresh
Sweet potato soup and an apple, carrot, and ginger juice
The soup, juice, and cafe are all bright orange
It reminds me of the book Misery Guts
The protagonist is an English boy
Who is sick of his parents being miserable
So he paints their fish and shop bright orange
From memory they move to Australia
The land of sunshine and happiness
Did you know that in Australia it is estimated more people
Die by suicide that road related deaths
I walk and walk and walk
I window shop
I wander in and out of stores
And chat to shop keepers
I imagine I am wealthy
And pick all the artworks I would buy
And where they would go in my dream house
I end the day back at the beachfront
I walk a little way down the pier
It is tacky and touristy
I prefer the pebbles
The sky has been grey all day
And it is cold
But it has been the loveliest day
The end.
- Published on
I first saw A Chorus Line when I was ten years old. It was the first musical I ever saw live. We had a spare ticket and I remember standing outside the theatre with Mum trying to give the ticket away. We ended up giving it to a lovely lady who had to find a pay phone to tell someone at home she would be late. The next thing I remember is sitting in the theatre, the lady offering me some chocolate, and then the theatre going pitch black. I grabbed Mum's hand because I was scared. The opening refrain, the mirrors shimmering into view, and then, "A 5-6-7-8!" I was transfixed, transported, and utterly sure of what I wanted to do when I grew up.
How does a ten year old from Sydney's leafy North Shore resonate with a musical about struggling dancers in New York? What was it that grabbed me? The swearing and many of the stories went way over my head. I liked Diana. I liked her because the girl playing her had been my Mum's student. I also liked her because she had a good monologue, and because I too was not genetically disposed toward bobsleds. I liked the "tits and ass" girl because she was blunt and straight forward and no nonsense, (Years later I was walking down Park Ave in NYC, and the line "Park and 73rd" kept ringing in my ears, and it cracked me up when I realized where it was from. Is the Good Doctor still working to take flat chested dancers from chorus girl to star? How does my feminist grown-up self feel about that character now?). I also liked "the ballet song" because I was doing ballet then, and when they sang it, I knew the smell of the rehearsal room, the feel of the barre, the narrow stairway, yes everything was beautiful at the ballet (even though I personally struggled because I didn't pick up choreography quickly, and though graceful "with lovely ballet hands" I was somewhat uncoordinated and awkward, no it wasn't paradise...). And I got it. I even used to dance around the living room. I also related to the tales of broken homes and divorced parents and escaping to ballet/performance as a means out.
And as I grew up and listened, and re-listened, and listened again, to the cassette of the cast recording, the music changed and meant different things. Suddenly I was twelve, and thirteen, and unsure. Still, I knew I wanted to be a performer. I had the drama teacher that made me feel "nothing". I was short. I had no boobs. I actually lived the knee injury bit. Had a doctor tell me I would never dance again. What happens when you can't perform anymore? You crawl into a ball and suffer through depression for two years, and don't come out until you start performing again.
And then I wanted to get married and live in the 'burbs and have a stable life. And then the stupid boy broke my heart, and changed my life because I was so mad at him, and so heartbroken that I had no choice but to pursue my original dream. While training I saw Donna McKechnie perform live, the woman whose voice I had listened to a million times. Give me somebody to dance for! The woman is in her seventies and she's still got it. I saw Marvin Hamlisch (may he be resting in musical theatre heaven) conduct the London Symphony Orchestra playing a medley of songs from A Chorus Line. And I gave up everything I ever knew to move across the world to study at a crazily expensive school, have my self-esteem torn to shreds, and be told I should "reconsider" this career choice. But you have this little persistent voice inside your head that says I DON'T WANT TO AND CAN'T DO ANYTHING ELSE. THIS. IS. IT. And sometimes you just have to ignore the naysayers and the statistics and the struggle that is auditioning and putting yourself out there and honing your craft and praying "Oh, god I need this job!" Not just for money, but for my soul.
So it's no secret that I'm emotionally invested in this show. For me, A Chorus Line is THE show. It's the reason I became a performer. It's the reason I'm obsessed with musical theatre. It's the inspiration that keeps me going. And tonight, seeing it performed to almost utter perfection in London was astonishingly wonderful, inspiring, and uplifting.
The end.
How does a ten year old from Sydney's leafy North Shore resonate with a musical about struggling dancers in New York? What was it that grabbed me? The swearing and many of the stories went way over my head. I liked Diana. I liked her because the girl playing her had been my Mum's student. I also liked her because she had a good monologue, and because I too was not genetically disposed toward bobsleds. I liked the "tits and ass" girl because she was blunt and straight forward and no nonsense, (Years later I was walking down Park Ave in NYC, and the line "Park and 73rd" kept ringing in my ears, and it cracked me up when I realized where it was from. Is the Good Doctor still working to take flat chested dancers from chorus girl to star? How does my feminist grown-up self feel about that character now?). I also liked "the ballet song" because I was doing ballet then, and when they sang it, I knew the smell of the rehearsal room, the feel of the barre, the narrow stairway, yes everything was beautiful at the ballet (even though I personally struggled because I didn't pick up choreography quickly, and though graceful "with lovely ballet hands" I was somewhat uncoordinated and awkward, no it wasn't paradise...). And I got it. I even used to dance around the living room. I also related to the tales of broken homes and divorced parents and escaping to ballet/performance as a means out.
And as I grew up and listened, and re-listened, and listened again, to the cassette of the cast recording, the music changed and meant different things. Suddenly I was twelve, and thirteen, and unsure. Still, I knew I wanted to be a performer. I had the drama teacher that made me feel "nothing". I was short. I had no boobs. I actually lived the knee injury bit. Had a doctor tell me I would never dance again. What happens when you can't perform anymore? You crawl into a ball and suffer through depression for two years, and don't come out until you start performing again.
And then I wanted to get married and live in the 'burbs and have a stable life. And then the stupid boy broke my heart, and changed my life because I was so mad at him, and so heartbroken that I had no choice but to pursue my original dream. While training I saw Donna McKechnie perform live, the woman whose voice I had listened to a million times. Give me somebody to dance for! The woman is in her seventies and she's still got it. I saw Marvin Hamlisch (may he be resting in musical theatre heaven) conduct the London Symphony Orchestra playing a medley of songs from A Chorus Line. And I gave up everything I ever knew to move across the world to study at a crazily expensive school, have my self-esteem torn to shreds, and be told I should "reconsider" this career choice. But you have this little persistent voice inside your head that says I DON'T WANT TO AND CAN'T DO ANYTHING ELSE. THIS. IS. IT. And sometimes you just have to ignore the naysayers and the statistics and the struggle that is auditioning and putting yourself out there and honing your craft and praying "Oh, god I need this job!" Not just for money, but for my soul.
So it's no secret that I'm emotionally invested in this show. For me, A Chorus Line is THE show. It's the reason I became a performer. It's the reason I'm obsessed with musical theatre. It's the inspiration that keeps me going. And tonight, seeing it performed to almost utter perfection in London was astonishingly wonderful, inspiring, and uplifting.
The end.
- Published on
Coming home
At the end of a
Long week
And doing a batch of
Roast vegetables
And a makeshift
Ratatouille
And having the time
To catch up
And veg out
That is bliss
The end.
At the end of a
Long week
And doing a batch of
Roast vegetables
And a makeshift
Ratatouille
And having the time
To catch up
And veg out
That is bliss
The end.
- Published on
Dear Willesden Green
Our time together
Is coming to an end
My lease is just about up
And soon I'll be moving
To another part of London
But before I go
I wanted to say
Thank you
For pretty little flat
The first place
Where I lived alone
Finally had
As I had always desired
A room of my own
With a window seat
Overlooking the rooftops of London
A space where I felt safe
And free to sing
And play flute
And not worry that anybody was listening
The first place where I had the
Luxury of an entire
Fridge and kitchen
And bathroom to myself
Could put utensils
Wherever I wanted them
Arrange the fridge
As I saw fit
Not worry that a flatmate
Was having thirty minute showers
And making me late
Speaking of showers
Willesden Green
The place where I was
Properly introduced
To the reality
Of living in an old city
Where the plumbing
Is antiquated
And the water pressure
On the third floor
Almost non-existent
Particularly when it's freezing outside
And the water pressure
Is intentionally reduced
To stop the pipes from exploding
And I literally
Had to shower in a bucket
Thank you for my park
Hilly and pretty
No matter the season
With its duck pond
And playground
And rose garden
Close enough for quick 4km runs
Big enough for longer runs
Thank you for the plethora of shops
And the library
Even if it often felt dank
And under-loved
For the internet cafe
Always open and
Staffed by lovely Polish immigrants
Who are always smiling
For your proximity to the city
And wonderfully efficient
Jubilee Line
Which one day was experiencing
"Severe delays"
And still had me home
Fifteen minutes later
For being the first home
In my life
That I was able to leave
And come back to
To find it all my things
Just as I had left them
I'll be sad to pack up my suitcases
And say goodbye
But I'm ready
For the next adventure
To begin.
Our time together
Is coming to an end
My lease is just about up
And soon I'll be moving
To another part of London
But before I go
I wanted to say
Thank you
For pretty little flat
The first place
Where I lived alone
Finally had
As I had always desired
A room of my own
With a window seat
Overlooking the rooftops of London
A space where I felt safe
And free to sing
And play flute
And not worry that anybody was listening
The first place where I had the
Luxury of an entire
Fridge and kitchen
And bathroom to myself
Could put utensils
Wherever I wanted them
Arrange the fridge
As I saw fit
Not worry that a flatmate
Was having thirty minute showers
And making me late
Speaking of showers
Willesden Green
The place where I was
Properly introduced
To the reality
Of living in an old city
Where the plumbing
Is antiquated
And the water pressure
On the third floor
Almost non-existent
Particularly when it's freezing outside
And the water pressure
Is intentionally reduced
To stop the pipes from exploding
And I literally
Had to shower in a bucket
Thank you for my park
Hilly and pretty
No matter the season
With its duck pond
And playground
And rose garden
Close enough for quick 4km runs
Big enough for longer runs
Thank you for the plethora of shops
And the library
Even if it often felt dank
And under-loved
For the internet cafe
Always open and
Staffed by lovely Polish immigrants
Who are always smiling
For your proximity to the city
And wonderfully efficient
Jubilee Line
Which one day was experiencing
"Severe delays"
And still had me home
Fifteen minutes later
For being the first home
In my life
That I was able to leave
And come back to
To find it all my things
Just as I had left them
I'll be sad to pack up my suitcases
And say goodbye
But I'm ready
For the next adventure
To begin.
- Published on
Ms Hathaway shall be play me in the musical of my life, si!
Sometimes
You just need
Your hair washed
Scalp massaged
And hair cut
By a very camp
Fresh off the boat
Italian
In Soho
"Darlink, my Eenglish
Is not so good!"
Darlink.
If I spoke Italian
Half as well as you
Speak English
We would be laughing.
The end.
You just need
Your hair washed
Scalp massaged
And hair cut
By a very camp
Fresh off the boat
Italian
In Soho
"Darlink, my Eenglish
Is not so good!"
Darlink.
If I spoke Italian
Half as well as you
Speak English
We would be laughing.
The end.