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There are performers
Audra, Julie, Bernadette, Liza, Patti, Chita, Barbra, Bette
Whose reputations precede them
“Living legends”
“Broadway Divas”
It’s one thing to watch your heroes on the screen
Over and over again in your living room
To listen to the cast recordings and soundtracks on repeat
But nothing beats the real life
In the flesh
Live performance
There’s always a little fear in seeing them
What if they’re not as good as they are on film?
What if they just don’t got it anymore
You hear stories
When I saw Liza in 2013
Friends warned against even buying tickets
She had a reputation for not showing up
And sure, her top notes weren’t what they once were
But she was breath-taking
And last night
I got to see Bette
When she appeared on stage
The audience leapt to its feet
The love in that room was overwhelming
(Roxy: I love the audience and they love me and we just love each other...)
Can Bette sing as high as she used to?
Does she dance like she used to?
Does she do it like Barbra?
No.
But Bette doesn’t need to be Barbra
She’s Bette
And when you see her on that stage
You know why Bette Midler is Bette “the Divine Miss M” Midler
She radiates warmth and energy and charisma
She's damn funny
And boy does she know how to work a room
The great thing about a show like Hello, Dolly
Is that it’s written for an older woman
It doesn’t require huge belting because
Dolly uses her charm and humor and wits to navigate the world
And you fall in love with her over and over again
The production is sumptuous and gorgeously realized
The costumes border on garish they are so bright
The color palette is like something out of a technicolor candy store
Are we in heaven or in danger of overdoing on sugar?
Jerry Herman’s score is sublime. You can’t help but feel happy
The vocal arrangements gave me goosebumps
Those harmonies just lift your soul and make you want to dance
The gorgeous choreography
Expertly executed by a delightful ensemble
It’s all a visual and auditory feast
That manages to be a wholly separate experience from the movie
It is uplifting and marvelous musical theatre
At its best
It’s not perfect
While there were people of color in the ensemble
I would love to have seen more diverse casting in the supporting roles
The performers were truly terrific, but the overwhelming whiteness is frustrating
I dreamt about the show all night
And woke up still on a high
After a tough few weeks battling a particularly nasty bout of depression
This infusion of light has been desperately needed
So thank you Miss Midler
And your luminous team
For doing what you do
And doing it so well.
Audra, Julie, Bernadette, Liza, Patti, Chita, Barbra, Bette
Whose reputations precede them
“Living legends”
“Broadway Divas”
It’s one thing to watch your heroes on the screen
Over and over again in your living room
To listen to the cast recordings and soundtracks on repeat
But nothing beats the real life
In the flesh
Live performance
There’s always a little fear in seeing them
What if they’re not as good as they are on film?
What if they just don’t got it anymore
You hear stories
When I saw Liza in 2013
Friends warned against even buying tickets
She had a reputation for not showing up
And sure, her top notes weren’t what they once were
But she was breath-taking
And last night
I got to see Bette
When she appeared on stage
The audience leapt to its feet
The love in that room was overwhelming
(Roxy: I love the audience and they love me and we just love each other...)
Can Bette sing as high as she used to?
Does she dance like she used to?
Does she do it like Barbra?
No.
But Bette doesn’t need to be Barbra
She’s Bette
And when you see her on that stage
You know why Bette Midler is Bette “the Divine Miss M” Midler
She radiates warmth and energy and charisma
She's damn funny
And boy does she know how to work a room
The great thing about a show like Hello, Dolly
Is that it’s written for an older woman
It doesn’t require huge belting because
Dolly uses her charm and humor and wits to navigate the world
And you fall in love with her over and over again
The production is sumptuous and gorgeously realized
The costumes border on garish they are so bright
The color palette is like something out of a technicolor candy store
Are we in heaven or in danger of overdoing on sugar?
Jerry Herman’s score is sublime. You can’t help but feel happy
The vocal arrangements gave me goosebumps
Those harmonies just lift your soul and make you want to dance
The gorgeous choreography
Expertly executed by a delightful ensemble
It’s all a visual and auditory feast
That manages to be a wholly separate experience from the movie
It is uplifting and marvelous musical theatre
At its best
It’s not perfect
While there were people of color in the ensemble
I would love to have seen more diverse casting in the supporting roles
The performers were truly terrific, but the overwhelming whiteness is frustrating
I dreamt about the show all night
And woke up still on a high
After a tough few weeks battling a particularly nasty bout of depression
This infusion of light has been desperately needed
So thank you Miss Midler
And your luminous team
For doing what you do
And doing it so well.
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